Transition

Black Earth: Displaced Drawing, Onya McCausland, Carbon and Manganese pigment on panel and wall, 2008. Photographer Sam Roberts
Transition is the second in a series of three exhibitions which look at the way artists interact with their surroundings. Using the practice of drawing, Mary Yacoob and Onya McCausland have taken different but complementary approaches to exploring the landscape around the gallery.
Yacoob's drawings offered 'proposals' for alternative realities - a chance to see familiar surroundings in a new light. Using the artists' own photographs of Burnley's urban architecture and rural landscape, a series of site responsive drawings were produced which encourage the viewer to reconsider what they see on a day to day basis.
The drawings picked up on, and exaggerated, visual details contained within the photographs, such as the architectural styling of a shopping centre, to create artworks that use repetition, geometry and rotation to suggest an alternative 'look' for the natural or urban landscape being considered.
McCausland's drawings were a response to Burnley's history and natural landscape. Three large wall panels were created using mineral deposits hand collected from settling lagoons at local mine sites. The iron oxide-rich deposits, collected from Deerplay Hill, Old Meadows and Clough Foot mines, provided a deep orange pigment used by the artist to create panels of solid colour.
The solid panels were then systematically and rhythmically worked to release pigment used to draw onto the wall next to the panel. The transition of pigment from panel to wall is representative of the displacement of mineral deposits from their subterranean home to the surface; a natural occurrence that starts to influence the geographical and historical identity of a place - in this case Burnley.